CINEMABou, Núria: Nocturnal portrait of the femme fatalePérez, Xavier: Arousing curiosity in Them!
The devastating power of the female universe in classic genre cinema. The archetype of the "spider woman" as paradigm.Quintana, Àngel (Universitat de Girona): The film-maker's ethic in the face of the inevidence of the times
A hypothesis of audience tension and expectations in one of the masterpieces of 50s Hollywood science fiction.Font, Domènec: Masculin/Femenin. Notes on the modern actor's body
Point of view and practice in film. The attitude of the cinema towards history.
The presence, body and gestures of actors are among the keys to interpretation in the modern cinema. Their confrontation with the camera and particular accommodation in the shot convey an aesthetics and a construction of meaning.
TELEVISIONBaget Herms, Josep Mª: The legacy of Franco's televisionPericot, Jordi; Capdevila, Arantxa: The evolution of persuasive election discourse on television
The influence of Franco's television on the future of TVE (Spanish television) and the audiovisual scene as a whole.
Communication strategies in political campaigns. The analytical apparatus of election propaganda.
Terribas, Mònica; Puig, Carmina: The theatricalisation of the private domain and the hybridisation of television genres. The case of Big BrotherCasero, Andreu: European-wide television and the construction of european identity. The case of Euronews
The formats of television programming as a framework of representativeness for the private domain. The case of Big Brother in television genres.
Critical analysis and questioning of the European-wide television model. Genesis, evolution and objectives of Euronews channel.
ARTIbarz, Mercè: Wounds and cures. photography, artistic expression, and the documentary eyeCorominas, Aurora: The Artist's Gesture. An initial approach to the cinematic representation of Vincent van Gogh's pictorial practice
The clinical eye. Artistic and political reflexion in documentary photography from the thirties to the present day.Català Domènech, Josep Mª (Universitat Autònoma de Barcelona): Our ability to look rebels. An introduction to a phenomenology of interfaces
Representation of the gesture in pictorial creation. The case of Van Gogh in the cinema.Pintor, Ivan: About the imaginary
Reality and simulation. The concept of the interface as virtual space and model of the mind configuring a new imaginary.Codina, Lluís; Palma, María del Valle: Web and cinema
Hermeneutic tradition, interpretation and historical status of the image. Revision of the works about the imaginary after Gilbert Durand, Gaston Bachelard and Henry Corbin.
Comparative analysis of two data bases for on-line research.